Rarely do we have opportunities to compare two identical pianos side by side to see how they have faired over time but today I again visited a long time customer of mine who owns two Hamburg Bs. Both were purchased new in Germany at the same time (mid 1980s), the pianos are about 800 serial numbers apart. Both were shipped together to San Francisco where they have lived ever since side by side in the same room. Tuning them today and in view of this conversation we have been having I was struck (as I always am) by the differences between the two. Visually, one of the boards is riddled with pressure ridges while the other one is not. The one with the pressure ridges exhibits serious killer octave problems and a strong percussive quality with notable distortion and diminished sustain through the tenor section. The other one has some killer octave problems as well though not quite as serious. The tenor section is quite full and round, little distortion, nice sustain. The bass on both pianos is fine. It is interesting to note that when the customer purchased the pianos, he was looking for two instruments that were a close match tonally. Since I wasn't there at the time of the selection I can't speak to whether he in reality was able to do that, but he certainly thought he did. I would say that there is no mistaking the fact now that the pianos are quite far apart in their tonal response. I would guess that the Hamburg Steinway factory goes to great lengths--as much as anyone--to control the EMC at glue up. While I agree this is anecdotal and doesn't constitute a comprehensive study, it does speak to the issue of variability in panel response to compression style crowning and/or the difficulty in environmental control during manufacturing. If I am not mistaken, these boards are hybrids and have crowned ribs as well suggesting that while, presumably, there is less reliance on panel compression, one still can't escape it in this particular method. David Love davidlovepianos at comcast.net www.davidlovepianos.com
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