Hi Alan: Yes, I have located the action with the cheek blocks and then scored marks on the keybed with a sharp pencil (assuming the bed is not so dirty they are not visible). I have been doing this for many years, particularly when voicing, with the action going in, out, in, out repeatedly. No ill effects, except that the piano sounds radically different with the cheek blocks in (just kidding). I do same when doing many regulation tasks, although I snug the blocks down when setting after touch and leveling keys. Will Truitt From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Alan Barnard Sent: Monday, February 25, 2008 11:12 PM To: pianotech at ptg.org Subject: A Cheeky Question ... In regulating and voicing the grand, I have always inserted the cheek blocks every time I slide the action into place because that's what I've always read, seen, and heard to do. Working today on the heaviest darned action I've ever hefted (Hyundai 6-footer)-if the action isn't in the exact spot required, it's very hard to tap either side into place or move it with cheek block, so I marked the front and side of the bed to line up the action each time. Got to wondering, would spotting the action on preset marks be enough for many regulation and voicing tasks, without installing the cheek blocks? Or does that invite trouble? Alan Barnard Salem, MO -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20080226/1b0dabdc/attachment.html
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