Hi JD Well, I would like to know for sure as too but whatever it does it doesn't seem to be a detriment either way. The only thing I can imagine is that as I said in my earlier posting that a bridge which is glued to the board with a light curvature reduces the need to force down the treble & bass ends to the rim as much. & Always , Always when the first clamps to go on during glue up to the rim are on the treble and bass corners. One has to force them down considerably. It may be that when that occurs the middle of the board is being forced down too. Is that bad. I dunno. But on One A-2 I did in the above fashion seemed to have a considerable freedom to the sound. It was different. That's my subjective opinion. WHen I dropped the board it in the piano the first time it fit all the way round with little bass treble strain. I have had the luxury & priveledge of hearing approx. 99% percent of the 100 or so boards I've installed so when something changes I pay attention. My mind id open Dale And I'd like to know what is supposed to be achieved by forcing the board to curve along the grain, which has the effect, surely, simply of producing a curve for its own sake. Sure there's nothing new about the idea but two makers at least that I know who did this stopped doing it in about 1885, presumably for good reason. JD **************Start the year off right. Easy ways to stay in shape. http://body.aol.com/fitness/winter-exercise?NCID=aolcmp00300000002489 -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20080123/af112937/attachment.html
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