I too find creativity and design fascinating - the process as much as the product. But I confess to admiring the most those engineered products that are so well thought out that everything that is needed is there, and not one thing more. (I love Antoine De St. Expury's quote, "You know you have achieved perfection in design, not when there is nothing more to add, but rather when there is nothing more to take away". I think good designers always keep the trash can close by, and have the discipline and fortitude to make the appropriate deposit, no matter how much effort they have invested. What goals are you trying to achieve with a design? How well does the design meet them? I'm not criticizing the Chickering tonality, I say everyone should chase their own muse. Will From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of jim ialeggio Sent: Monday, August 10, 2009 8:55 AM To: pianotech at ptg.org Subject: Re: [pianotech] Chickering's splayed actions...Why? Hi Will, ... the Chickerings from 1890 to 1920 seem to be looking backwards for their tonal palette and engineering aesthetic. Unnecessary complexity of design was going by the wayside for so many pianos from this era, but not Chickering. An interesting insight. Creativity, does not seem to be particularly linear. A "looking backwards" seems to be present right along side a quite innovative "how else can we do this" frame of mind. I like that. Jim I -- grandpianosolutions.com (under construction) Shirley, MA (978) 425-9026 -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20090810/c70a66b0/attachment.htm>
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