At 12:30 -0600 8/1/09, Ron Nossaman wrote: >I agree too, but where's the alternative measurement process that >produces a measurement in the proper terms? Well a good engineer or mathematician could actually convert swings to grams force/millimetres but as you rightly say: >...it's not absolute measurements that are needed in practical >application, it's a reliable means of comparison within a limited >range My main point was to demonstrate the inexactitude of the "gram" method used indiscriminately, firstly because n grams in the screw hole of one flange will indicate a different friction from n grams in the screw hole of different flange, and what we are aiming for is a certain degree of friction. The swing method is a quicker and more reliable measure and I'd say that starting the swing with the shank horizontal and a note 50 hammer head, five half-cycles is about right, that's to say that the head will cross the lowest point on the arc five times. > My "standard" is a clip clothes pin, and I swing grade sets before >installation. I put the tight centers in the treble, because that's >the area that needs firm centers for tone production. The looser >centers go in the bass, because that's where the hammer weight >problems are, and I don't want any more center produced friction >than necessary. That sounds like new shanks with flanges attached straight from Renner or wherever. In the sort of work I do I am usually restoring the originals, which must remain in roughly the same order, and I (rebush and) recentre with the old hammers still attached, so the swinging (if I were to do it) is done as part of the recentring process: broach, tallow, swing the hammer holding the pin by its flat end in the cutters, broach more if needed, push in the pin using the cutters and cut flush. I aim for equal friction throughout the scale. So much for hammers. How to swing for a grand jack? For other centres than hammers, I recommend to learners the little balance I posted in my last message. JD
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