In my experience the model S is the least successful in sales of all the pianos I tune. Very, very few S's around St. Louis, the majority being M's and L's. I have not had particular issues with the S. James James Grebe Since 1962 Piano Tuning & Repair Creator of Handsome Hardwood Products( 314) 608-4137 1526 Raspberry Lane Arnold, MO 63010 Researcher of St. Louis Theatre History BECOME WHAT YOU BELIEVE! www.grebepiano.com ----- Original Message ----- From: <bppiano at aol.com> To: <pianotech at ptg.org> Sent: Monday, July 06, 2009 9:54 PM Subject: Re: [pianotech] Steinert Grand > I?don't knew if this is relevant to the original post; when I was > attending the Steinway Technical Institute, taught by Eric Shandall, > I?commented on how successful the "S" was at maintaining the "Steinway" > sound.? He went?on about how much time, effort, and resources went into > the development of a small grand requested by the Curtiss Institute > suitable for an apartment in which they house their students.? Finally, > they developed success with their "diaphragmatic." (sp) soundboard now a > part of every grand Steinway produces.? > > Bruce Pennington > > > -----Original Message----- > From: Israel Stein <custos3 at comcast.net> > To: pianotech at ptg.org > Sent: Mon, Jul 6, 2009 6:01 pm > Subject: [pianotech] Steinert Grand > > > >>My guess is that Steinert copied most of the Steinway scales, so Steinway >>thought turn around was fair play and copied the Steinert A and made the >>"S". > >>It's nothing factual, just my theory. It's hard to get much info on the >>Steinert. > >>Al G > > Al, > > There's a lot of information about the Steinert pianos and the company > itself kicking around Boston. Heck, I bet there are still people in the > piano business around Massachusetts who got some of the lore passed down > to them from relatives who worked at the factory. You just have to pick > the right brains... > > The Steinert company itself is a remnant from the pre-depression glory > days of the American piano industry, when there were dozens of piano > manufacturers all around Cambridge, Roxbury and some mill towns such as > Lowell, Haverhill, Leominster, etc.? The Steinert store is the last > remaining one of what used to be known as "Piano Row" - two solid blocks > of Boylson St. with nothing but piano and music stores fronting on the > Boston Common and the Public Garden where every manufacturer had their own > store. Chickering, Vose, Estey, Mason & Hamlin, Ivers & Pond, Wurlitzer, > the list goes on... Steinert's is the last one left. When I was working > there in the early nineties, the only other remnants were Fischer Co. and > the Boston Music Co. - music and instrument stores. One moved and the > other one closed during that time. One of the old "Piano Row" blocks was > leveled to build the Four Seasons hotel. The other is still there - with > Steinert's the only music-related business on it, as far > as I know (for a while a Baldwin dealership occupied the old Wurlitzer > store). In my eleven years in Boston I managed to absorb an awful lot of > local piano information from various people - I'm sure some of it urban > legends. But if you are really interested - there are people there who > could tell you... The trick is to get a hold of them. > > The story I got is that Steinway at the turn of the 20th century could not > possibly meet the demand for their pianos - couldn't even come close. So > it allowed its dealers to copy their scales for pianos that they built - > or had built for them - on the condition that they not market them under > their own (the dealers') names. So the initial pianos built at Morris > Steinert's Leominster factory with Steinway scales were marketed under the > "Jewett" and "Hume" brands. I was told that Mr. Jewett was the factroy > foreman and Mr. Hume a scale designer. Or vice versa. In 1912 (according > to Pierce Piano Atlas) Steinway dropped the restrtiction and allowed > dealers to market the pianos with copied scales under their own brands - > which is when the "Poor Man's Steinway" Steinerts first show up.? As far > as the "reverse copying" of the Steinway S scale from the Steinert A - I > don't know, doesn't quite fit my idea of how they operated in the old days > (pre-CBS)... > > Israel Stein? > > > > >
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