"How was it?", he asked as I was making out the bill for the tuning. "Well", I said, "I've seen worse rebuilds, but this is certainly a contender". A small stencil grand, with "Hamilton" on the fall board, in a small town church. They decided it needed tuned when they gave up trying to find the source of the buzz coming from the tail area when they played D#-3. The buzz took a minute or so, proving to be about an 8mm clear glass sphere (Gypsy fortune teller mice?) sitting on the soundboard at the low end of the tenor bridge. So much for the reason for the service call. Then I tuned it. I made a mental checklist as I looked it over during the tuning. Bright copper plate color, agraffes painted too. Delignit block with at least 4/0 pins, very erratic torque throughout. Nasty sounding low tenor and killer octave. The plate had been lowered to produce bearing on the concave soundboard. Epoxy (?) goobered into a badly split up treble bridge cap, no attempt made to clean up the notching, but the bridge pins were new and filed nice and sharp on top. New keytops, overhanging all around, with lots of slop in the original (I hope) bushings. New hammers, and an action so badly out of regulation I'd call it unplayable. The dampers also, naturally, worked very poorly. He didn't know who had done the (what looked like very recent) work, as the piano was a donation. Surprise! That just likely means the owner got burned on a lousy rebuild and dumped it on the church for the write off. I didn't leave a card in the piano. Ron N
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