And that's the stranglehold of lockstep thinking that stifles creativity and prevents minds from being truly open. And maybe there is less than it seems. After all, Microsoft dominates the software market in much the same way as Steinway dominates the concert stage, but market dominance is not the same thing as the best or highest quality. The two do not necessarily go hand in hand. Steinway's position is the result of many factors, including extraordinary marketing skills, and is not solely driven by quality. I first heard Steingraeber at NAMM in 2000, where I was able to compare it to all the other great German makes, as well as Steinway. I had never heard of the piano before I saw it, and it just blew me away. It was as good as anything there. I do not find it particulary meaningful to call a certain piano the "best". It's a bit like saying who is the greatest artist? Michelangelo or Picasso? Why do I have to choose? Can't I like and admire both? Aren't we the richer for having a place for both in our cultural world? Will Truitt -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Paul Knight Sent: Friday, June 19, 2009 7:42 PM To: pianotech at ptg.org Subject: Re: [pianotech] fazioli Ok Point taken I have not seen But I have herd Audio. Your right everyone has there own taste and the customer should choose what sound he likes. The question was asking for imput from technicians which is what has been provided. Its not necessary for a piano to be great to sound like a steinway but with the majority of recording artists, concert artists and venues choosing the steinway sound maybe there is something in that! Regards Paul Knight
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