[pianotech] Miking a piano

[CHARLES BECKER]

Can you please describe  the thought behind your mike holder.  Do you get some sort of contact mike  effect as well?  It seems like you are trying to de-couple and isolate the  capsule while having contact with the plate.   What does it sound like? ---- Original Message ----- 
  From: Mark Purney 
  To: pianotech at ptg.org 
  Sent: Wednesday, March 11, 2009 12:42 PM
  Subject: Re: [pianotech] Miking a piano


  For one situation (Yamaha C3, for live reinforcement with a full band) I auditioned a variety of mics that were supposed to be great for piano, and none of them worked well. Just for fun, I stuck my Sennheiser e906 guitar cabinet mic in the tail, and I was shocked at how much better this $190 microphone sounded than the other, more expensive mics. I fabricated a suspension mount for it to go right on the plate (see picture or link below).

  The e906 is designed to be placed a few inches from the speaker of a guitar amp. It's also used for brass instruments, drums, or other sources that have a high SPL. This is why the mic works so well at picking up the piano, and ONLY the piano. It's also what makes the mic so reluctant to feed back. One of these days, I may try two of them (one for treble and one for bass), but I got decent results with just one, and I wanted to keep things simple for those running the mixing board. 

  http://www.mesapiano.com/e906.jpg



  KeyKat88 at aol.com wrote: 
    Greetings, 

           What is the best way to mike a piano? How many mikes (optimally)?  Where is the best location to put a mike in a piano? (Jazz quintet  The horns (sax and clar) overpower the piano.)  


    Thank You
    Julia Gottshall
    Reading, PA 
   
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