[pianotech] Workload

Gerald Groot tunerboy3 at comcast.net
Sat Oct 31 11:40:03 MDT 2009


Well, for me, I have cut way back.  I still tune about 900 - 1,000 a year
but if you average that out on total working days, vacation days, sick days,
slow times, etc., it amounts to a little over 4 per day.  

 

I don't care to tune 8  + pianos a day any longer.  When I'm tuning in my
college where we currently have 90 pianos, - next year we will have about
15-20 more - then I often do 6 a day but I cut out after that.  The total
tunings at my college amounts to about 300 a year with all of the concert
work etc.  

 

I have a lot of repeat clientele, churches, schools and homes that are quite
dependable.  I also hire sub contractor's on a regular basis to cover what
needs to be done, especially at this time of the year.  NO WAY can I do it
all.  Nor do I want too.  

 

We have about, gee, I don't even know, 500,000 total population maybe?
Probably more if we include Grand Rapids and the surrounding areas.  But, I
am guessing.  We do have quite a few tuners here.  It helps me that my
family has always had a good repuation plus the fact that we have been here
tuning since 1926.  

 

I remember reading an article that Yamaha put out when I was working for the
dealer back about 30 some years ago.  It said at that time, they estimated
there were about 10 million pianos world wide with the majority of them in
the USA.  I have no idea what the figures might be now. 

 

Jer Groot

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of Gregor _
Sent: Saturday, October 31, 2009 1:07 PM
To: pianotech at ptg.org
Subject: Re: [pianotech] Workload

 

I am wondering not only about the number of the pianos some of you CAN tune
but also about the number of pianos you really tune. I mean the number of
customers you have. I live in a city with 280.000 inhabitants, 50.000 of
them being students. It´s a quite wealthy town with a considerable number of
piano owners. At least I was thinking that until this thread came up. Maybe
there are a lot of more piano owners in the USA than in Germany? Or do you
all live in areas without competitors?

Gregor

------------------------------------------
piano technician - tuner - dealer
Münster, Germany
www.weldert.de





  _____  

Date: Sat, 31 Oct 2009 08:08:12 -0500
From: behmpiano at gmail.com
To: pianotech at ptg.org
Subject: Re: [pianotech] Workload

>My ideal daily workload would be 3-4 a day, maybe 4 days a week.
 Or, if I ever get into rebuilding like I hope to one day, 2-3 days in the
shop, and 2-3 days doing service calls. JF<

John and others - If you're curious as to what it's like running a
restoration business on the side, and tuning as your main source of reliable
income involves, I'll give you my numbers for the month of October. My wife
and I got back from the convention in Charlotte late on Monday, the 5th, so
the first few days of the month, I was not working. Since starting up on the
6th, I've done 83 tunings this month, and spent 9 1/2 days in the shop
working on an upright restoration. The shop time consisted of both 1/2 days,
and several full days.

A full day of tuning for me is 8, although many days I schedule in less,
depending on what's available in the area I'm traveling to. Since I've never
advertised, my customer base is completely word of mouth, which, in the
words of Monk, is a blessing and a curse. The blessing is I've never paid a
cent to advertise. The curse is that my business is scattered over several
dozen counties in Iowa - thus I put 30,000 miles on my business car a year
getting to my appointments. I envy folks who don't have to travel outside of
their city limits to fill their calendar. Many days I have a 2 hour drive to
get to the area where I'm tuning for the day, and the inevitable 2 hour
drive back again at the end of the day. It makes for a long work day. 

With 8 in day, I'm tuning just standard family instruments - Kimballs,
Wurlitzers and the like - and mostly pianos that I've tuned yearly for 20 or
25 years in a row. Definitely not concert hall work.  If I'm tuning a piano
that I haven't done before, especially when it's a call from a new customer
who tells me that the piano hasn't be done in several decades, I allow
considerably more time. I can't imagine trying to do 18 pianos in one day,
Wim. You would have to waggle a $1000 bill in front of me to keep me going.
That might not even work after the first 8. 

One of the best things about doing the restoration on the side, by the way,
is that it gives you something to fall back on when the tunings just aren't
there. You don't have to sit, twiddling your thumbs, wishing you had
something to work on. There is always work in the shop to be done. In fact,
after I have breakfast, that's what I'm off to do. I'm finishing shimming,
then shellacking a soundboard this morning. I love Saturday mornings in the
shop! Chuck

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