Thanks to all for the responses so far, in this thread and the related "Pounding" and "Hearing Protection" threads! Using a big felt mute as a pounder is something I hadn't considered -- it's already in my kit after all. I use the three-fingered "tripod" method along with arm weight and so far have had no problems with my left hand/arm. I had a piano instructor that drilled the arm weight thing nearly every lesson, as well as instructing me to keep tension out of my shoulders. Chances are if your shoulder is raised/shrugged while you're doing test blows, you're holding tension there which could lead to problems. Some great ideas for earplugs I'd like to upgrade to -- I use 'em but only when I must because my current ones attenuate high frequencies so much I feel like I'm losing precision. I also use them when there's too much background noise, or in a very echo-y environment. The hammer shank idea is the sort of thing I was wondering about -- too bad it seems too cumbersome to use for an entire tuning. If I'm really worried about a particular piano, I finish up with ff two-handed octaves up and down the keyboard a few times with the pedal down. "Finish up" is the probably the wrong phrase -- usually after I do the octaves, I find I've got some more work to do :). This is probably a ridiculous idea, but has anyone tried using a vibrator/buzzer of some sort for testing? Thinking along these lines I borrowed a Sonicare toothbrush (an ultrasonic toothbrush featured in the Tools section of the Journal a year or so ago for cleaning dampers). I touched its plastic head to the speaking length of an unmuted string and got a very satisfying buzz out of it (didn't use any toothpaste). I haven't tested to see if it would be enough to cause a string to render well -- I suspect it might. I have an old Steinway upright with some strings at the pressure bar thingy that may be good guinea pigs. Other ideas I came up with: a buzzer that could be clamped to the bridge and triggered with a footswitch, or how about something built in to the tuning lever that would buzz the tuning pin when you pressed a button? Ridiculous or merely silly? Truly Yourzzzzzzzzzt, Court Stewart On Sat, Sep 5, 2009 at 10:11 AM, David Love <davidlovepianos at comcast.net>wrote: > That can work as well also the “pounder” made from an old hammer that > some use. For me I don’t like having to hold something in my hand since > even during the tuning of unisons (as you go method) I’m still stretching > out and testing the octave or some other interval so I don’t like to have > something in my hand that I have to deal with. But either way you do need > to protect the joints. That’s a lot of cumulative pounding adding up over > the years. > > > > David Love > > www.davidlovepianos.com > > > > *From:* pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] *On > Behalf Of *David Andersen > *Sent:* Friday, September 04, 2009 10:12 AM > *To:* pianotech at ptg.org > *Subject:* Re: [pianotech] Test Blows > > > > > > Or better than that, do what I do: use the fat, thick end of a fat, thick > wool mute (the white and yellow ones) from Pianotek for the test blows. > > Save your hands, fingers, joints, everything. Let the felt take the > beating. > > David Andersen > > > > > -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20090905/166e44a9/attachment.htm>
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