Rafael M. Huberman Muñiz wrote: > Hi Ron, > > One thing that got my attention from the pictures you sent is the shape > of the bridge at the begining of the tenor. Would it be that the design > of the bridge has to do also with that smothness of tone between plain > wire, doubles at the tenor and high bass that you mention besides of the > scale design? Well, though I didn't comment on tone across the transition, the wrapped bichords, being at a higher break% than plain wire of the same length, also sound better as a result. The bridge shape accommodates the improved scale, in this case, but doesn't otherwise have any magic properties. Ron N
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