Hi Dale: I too have staggered the strike line on Steinway grands and other pianos to find the sweet spot and get the best tone. So let's ask the question of the why of that - what is going on in the plate and string interface in relation to the action that requires something other than a straight line to achieve the best tone? Will Truitt From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of erwinspiano at aol.com Sent: Sunday, February 07, 2010 4:39 PM To: pianotech at ptg.org Subject: Re: [pianotech] Hammer strike line. Was-----Yamaha Hammer Suggestion Randy /Tom You mean like this S & S Model B? 95 % of our steinway hammer lines look sometyhing like this. They arne't the only ones that benefit Dale Erwin DSCN6686 Stwy B strike line.JPG Randy With regards to the "sweet spot" it's a matter of experimenting with several guide hammers with only a dry fit to the shank. Play around with the action by sliding it in and out ever so slightly. It's rather obvious when you've arrived at the sweet point as the tone will spike once the true spot is found. I find that about 90% of the pianos you are safe with a straight hammer strike line from 1-88. That's how most factory jobs are completed. However I find that the older Steinways can benefit from a varied line from #70 and up. You just need to experiment and find the general parameters and off you go. Tom Servinsky ----- Original Message ----- From: "Randy Chastain" <Randy_Chastain at sbcglobal.net> To: <pianotech at ptg.org> Sent: Friday, February 05, 2010 12:58 PM Subject: Re: [pianotech] Yamaha Hammer Suggestion Tom, I like your two cents and from having almost completed today a hammer job for a Steinway L with Steinway hammers (request of owner) , thank you for bringing up part of the detailed process and skill it takes to do a good and proper job. The attention to detail can be overlooked for sure by some and end up with a bigger problem. The hard work starts at the beginning no matter who you get your parts from. Its the detailed work that pays off. I still hear of techs who buy, for example pre hung Steinway hammers :( . I did that once early on and, oh my gosh!!!Never, never again. I would be very interested in how you or anybody else find the proper hammer line/sweet spot. I can ALWAYS learn something. I have one of those diseases that I have to keep learning. There's just so much out there that I can't help myself. I live in the San Francisco bay area and I wish there was a better way for me to continue to learn after 15 years of this. I have it. Randy Chastain -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20100207/359b0964/attachment.htm> -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: image/jpeg Size: 10803 bytes Desc: not available URL: <http://ptg.org/pipermail/pianotech.php/attachments/20100207/359b0964/attachment.jpeg>
This PTG archive page provided courtesy of Moy Piano Service, LLC