Nope Dale S. Erwin www.Erwinspiano.com 209-577-8397 -----Original Message----- From: David Love <davidlovepianos at comcast.net> To: pianotech at ptg.org Sent: Wed, Jul 14, 2010 9:13 pm Subject: Re: [pianotech] soundboard grain angle vs "faux"stiffness Did you modify the agraffe line on this one? David Love www.davidlovepianos.com From: Dale Erwin <erwinspiano at aol.com> Sender: pianotech-bounces at ptg.org Date: Wed, 14 Jul 2010 12:25:31 -0400 To: <pianotech at ptg.org> ReplyTo: pianotech at ptg.org Subject: Re: [pianotech] soundboard grain angle vs "faux"stiffness Hi Jim See below Dale S. Erwin www.Erwinspiano.com 209-577-8397 It's dark, powerful and voluminous are you by chance a wine taster by trade <G> no my tonal envelope is power with out noise. Or as Starr Taylor says" Without the strident clang that permeates the piano tonal landscape of today" Predominant fundamental balanced by upper partial clarity but no clang and little percussion on hammer impact sound. I seem to be allergic to it can I take this to mean prominent fundamental and lower partials with a reduced prominence of the uppers? The design spec: is a grain angle that follows the long bridge (approx 30 degrees off the long side) hmm. Yes for me I've always measured it off the spine. Easier. Stwy models S,M,L,O are 45 degrees,(some )s in the 30's) and A's thru Ds are 40 degrees with some anomalies ,serious curved cut-off bar, where does the cutoff end in relation to the tenor ribs? See pictures Jim I -- Jim Ialeggio grandpianosolutions.com 978- 425-9026 Shirley, MA -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20100715/ffd51391/attachment.htm>
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