I don't have a lot of these to tune. But, for the ones I do, the tuning pins flagpole a lot. I find a jerk movement to work satisfactorily, or better yet, the Reyburn CyberHammer. As Floyd has mentioned, false beats abound. Listen beyond the false beats, and it should end up sounding OK. -- JF On Sat, Nov 20, 2010 at 8:19 PM, Tom Rhea, Jr. <rheapiano at cox.net> wrote: > List: > > I was approached by a potential client who wanted me to tune her late > grandmother’s Steinway upright. It was recently moved from her > grandmother’s home to its present location and, regretfully, hasn’t been > tuned in many (read: more than ten) years. Of course I agreed, since I’m > working hard to get my fledgling business off the ground, but then I > remembered that a number of technicians in my limited experience had been > less than complimentary of the Steinway upright due to its quirky nature > during tuning. > > My inclination is to approach this tuning with no preconceptions but alarm > bells are still insistently ringing in my head. Are there any pitfalls or > booby traps that I should be aware of before attempting this daunting task? > > Your collective wisdom will be most appreciated. > > > > Tom > > > > Rhea Piano Service > > Tom Rhea, Jr., Technician > > (757) 373-0284 > > rheapiano at cox.net > > Graduate, Randy Potter School of Piano Technology > > Certified Installer, Dampp-Chaser Piano Lifesaver Humidity Control Systems > > > -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20101120/7b2fe0f7/attachment.htm>
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