I feel to see if all the strings are in the same plane. I don't like the idea of the bubble level because if the floor isn't perfectly level and the plate isn't perfectly level, or if the holes in the agraffe aren't perfectly level, you're getting a false indication. But regardless, when viewing the hammer line at the strike point, it should appear as a straight line, so that's how I filed them. I then held hammers against the strings, plucking the strings, and still found indications that the hammers had high areas, or that a right string was low, and again, almost all in the low tenor, and all on the right side of the hammer. So I used the plexiglass paddle with a thin (3/16") strip of sandpaper glued to it, as demonstrated by either Andre Oorebeek or Ben Gac, I believe, to file down the hammer in the area that damps the strings that don't ring when plucked. This results in hammers that have a "step" in the strike point surface, but using the end of a steel rule and a bright light, I did not observe any low ("unlevel") strings in the corresponding unisons. I still wonder if the pressure of holding an angle-bored hammer against the unison causes the shank to flex or the hammer to lean. --David Nereson, RPT
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