Why would that be a surprise? If you go to the piano, lift the dampers and then simply clap your hands over the strings you'll get some excitement of the strings. That certainly comes from the change in air pressure that follows the clapping of your hands. It only makes sense that the vibrating strings on the notes played would also produce some excitement of the strings that are undamped after the initial notes are struck by the same mechanism. I would guess that would be true of the backscale lengths as well. Though the excitement of the backscale lengths might not in themselves be audible, once the are moving the energy will then be transferred to the soundboard via the backside of the bridge. How audible that contribution is might be questionable but in theory it should take place. It doesn't much matter whether those backscale lengths are plucked, struck with a hammer, or struck with a change in air pressure, the effect is the same, it's just a matter of degree. The front duplex by the same token probably receives some energy from the changes in air pressure from the surrounding air. The difference is that the front scale is not attached directly to a flexible diaphragm as the soundboard but rather the plate which is acoustically dead, in effect. Doesn't that make sense? David Love www.davidlovepianos.com I had a surprise the other day which I hope to be able to understand in due course. I've mentioned once or twice in the past that the sound of certain pianos will blossom and flourish noticeably when all the dampers are lifted _after_ the notes have been played and held down, and I see this as the sign of rather a special piano that allows the player to achieve effects that are impossible with most pianos, not possible, let's say, on a Yamaha. Now I recently a very old Kirkman grand which has a very powerful and brilliant sound and of which I have high hopes when I get round to restoring it. The piano is up to pitch but nowhere near in tune. The sustain is excellent. Now the other day in a moment of leisure I climbed over all the junk in its way, sat down to play it and tried the pedal test, holding down a chord and then lifting all the dampers. To my dismay, instead of the blossoming and flourishing, there was a noticeable diminution in the volume of the sound. Now I'm very curious to know what will happen when the piano is tuned. What do you think? JD
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