It's that "swelling of the tone" that I have a problem with. Your explanation nicely accounts for the change in the rate of decay that pianos exhibit following the initial chaotic attack but I fail to see where any extra energy is coming from to "swell the tone." It is this "swelling" that I have not seen measured. ddf Delwin D Fandrich Piano Design & Fabrication 6939 Foothill Court SW, Olympia, Washington 98512 USA Phone 360.736.7563 Cell 360.388.6525 del at fandrichpiano.com ddfandrich at gmail.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Nicholas Gravagne Sent: Thursday, March 17, 2011 9:07 AM To: pianotech at ptg.org Subject: Re: [pianotech] What is bloom, Still, it has been my sense that "bloom", if we had to force a definition on the term, has been suggested to me over time both explicitly and implicitly as a swelling of the tone/s beyond what should seem to be expected or even possible. The tonal envelope seems to blossom or flourish or "take off" from its sedentary beginnings of equilibrium. ...Technically, some bloom can be traced to the string vibrations as these activate the bridge. These vibrations begin orthogonally (up and down, right angles to the bridge), but give way to rotational vibratory action. Within this scheme a horizontal vibrational mode runs into an impedance brick wall of a relatively infinitely high value where the sustain characteristic of the mode really kicks in, provided it has something to work with. When the tonal attack mode of the envelope is sufficiently strong and powerful and focused, the bridging of the first power mode to the later sideways vibratory string action and high impedance mode is relatively seamless and will cause a sense of blossom or bloom. But should the upfront attack and first power mode be insufficient or missing, the bridging effect is less obvious or satisfying. Given this sense of things, all decent pianos have some bloom. But the best of the lot have it more so. Bloom to some may simply be defined as very fine piano tone, and not necessarily anything beyond that. Certainly not magic. Voicing plays a big role here as well, but that's another story. In a lab environment, this phenomena should be measurable.
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