I have to some degree in several previous conversations including in the discussion recently published in the PTJ on tone. It's a loaded subject and I don't want to delve too deeply into it at the moment. For now, I hope it will suffice to say that I think one needs to approach design changes with caution. BTW that goes for Steinway too. I don't think all the changes they've made over the decades have been a benefit and often (at least from my view) seem to have been done in isolation without looking at the whole picture. If the 1920's pianos were the design and execution pinnacle for them (as some believe) then they've gravitated away from that but piecemeal, not with a total concept in mind but just with certain individual changes. They haven't always been integrated well and haven't always made sense. Separating the design intention from the execution is difficult at times but we ultimately have to take them at their word. What the produce(d) is(was) what they intended. Cryptic enough? btw, on an unrelated topic, have you noticed how this discussion is taking place in two different places, the new list and the old list? Many who read only one or the other are getting only half the discussion. What a mess. David Love www.davidlovepianos.com From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Encore Pianos Sent: Wednesday, May 02, 2012 9:19 AM To: pianotech at ptg.org Subject: Re: [pianotech] Gen-u-whine Steinway parts:OT RANT "The more pianos I rebuild (bellies and actions) and the more I have been involved with design changes, the more I gravitate back to the original concept (with tweaks of course)." Would you care to elaborate on this a bit more? Will Truitt -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://www.moypiano.com/ptg/pianotech.php/attachments/20120502/f40b8aea/attachment.htm>
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