I'm not sure, but I think it was William Braid White who said that every tuning should be a concert tuning. That is to say that every tuning should be done as well as possible. That's the way I do it. Terry Beckingham RPT At 02:43 PM 5/14/2012 -0400, you wrote: >If you're not striving for a "wow" factor when you tune even a Winter >spinet or a beat up old upright, then you're not doing your job. As Will >said, I tune pianos for my satisfaction. If it makes the customer happy, >that's a side benefit. And hopefully she will recommend me to her friends >and relatives, because that's how I built my customer base. But if the >piano doesn't satisfy my ear, then I've not done a good job. And it's >amazing how well even the Winter spinet can sound when it's in tune. > >Now, if you don't care about building a tuning clientele, and all you're >interested in is repairing player pianos and pump organs, then that's your >choice. But don't degrade those of us for whom tuning is an honored and >respected profession, and who take pride in our work. > >Speaking of players and pump organs. I'm glad you're still interested in >doing this kind of work, because there are fewer and fewer old player >pianos left, and it is a dying profession. As much as the PTG would like >to offer more classes and articles on those instruments, like any other >product, if there is limited demand, it's not going to get featured. By >the same token, while we respect your abilities to do your work, and don't >question your reasons for doing it, please respect the work aural tuners >do, and don't question, much less degrade, their work. >Wim >
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