The question remains, though, for those designing boards without or with less panel compression, what level of rib support is required to compensate for a reduction in compression in order to achieve the desired impedance characteristics especially when the range of outcomes can vary as much as the two examples cited. *** I know I am missing the boat on this one but for the two boards that I designed using radius ribs, I may have had a small amount of compression in the board after gluing on ribs - all at around 6%mc here in the California foothills - but for the ribs, I just looked at how much string bearing they would see, spaced them accordingly, used some deflection numbers that I got from a local rebuilder and there it was. Impedance was not part of it. I would really like to understand how to include impedance into rib design. Gene -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://www.moypiano.com/ptg/pianotech.php/attachments/20120526/95ee8957/attachment.htm>
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