Humm, Is it the board that has lost compression or the ribs. Joe Goss BSMusEd MMusEd RPT imatunr at srvinet.com www.mothergoosetools.com ----- Original Message ----- From: <jim at grandpianosolutions.com> To: "pianotech" <pianotech at ptg.org> Sent: Monday, May 28, 2012 7:39 AM Subject: [pianotech] re-fabricating a failed soundboard > >That's been acknowledged a lot of times here. The part of the question > that's left out is what type of construction is being used. Countless > compression crowned boards failed since being built. If these boards > being discussed required re-ribbing and insertion of strips of old > spruce to compensate for the compression set that didn't happen and > take them back to full width from which they mysteriously presumably > shrunk somehow, they were apparently among the failed. Reproducing the > conditions under which the original failed with the original material > seems to me to be rather optimistic and not really paying attention. > > > Right. But it should be noted here that the technique was demonstrated > in the context of a conservation of historic fabric seminar. > > My interest here was not in suggesting that this technique as a way to > make or replace boards. I don't even buy into the notion that these > reconstituted boards are precisely the board and sound these historic > pianos had when new...actually, as someone coming out of the historic > conservation world, I find that despite whatever conservation method was > used, that the result is still wildly speculative. I'm not interested in > basing my designs on speculative information. My take is that we really > will never know what the original pianos sounded like, except in very > broad strokes, like sustain time. > > Rather, my interest was in the panel itself as as a substance. I was > curious to see what resilience was left in a panel which had experienced > compression failure. Not the board as a structure, as we know that's > failed, but the panel wood in and of itself. Is there any resilience > left? It does seem that there is, as when the old ribs are steamed off, > the panel, though shy of the original width, still was being restrained > by the ribs. They reported that the wood, freed of the rib restraint, > expands somewhat. > > However, when they steamed the sucker to get the ribs off, the EMC > changed, so at what EMC was the expansion measured...don't know... > > But on the other hand the panel was capable of opposing the reglued > ribs, so there is cellular viability left in the aged compressed wood. > > In any case, just take the panel. How would the aged wood with cellular > damage at least at the edges, sound like, if used as a panel substance > in a new ribbed/designed structure. My hunch is that the panel, having > a different resilience profile than when new, would be stiffer than new, > though still resilient. Carbon fibre, laminated boards, etc are > alternative panel substances which work as panel substances. I wonder > how aged compression beat up spruce, as an alternative panel substance > would perform? Again, panel as a substance only, not part of the > original compression crowned structure. > > Jim Ialeggio > > > > > > -- > Jim Ialeggio > jim at grandpianosolutions.com > (978) 425-9026 > Shirley, MA > >
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