> I definitely believe in bridge distortion in several directions. There > is a marked tendency, for instance, for a big difference in pitch change > on either side of a break, where the bridge has a curve. Makes sense > that the bridge has tilted one way or another. > > Regards, > Fred Sturm My guess is that if the bridge tilts downwards (towards the striking point) the string will ride up on the b pin and loose contact with the bridge surface. This I imagine might be conducisive to false beats. If the bridge tilts backwards (toward hitch pin) this will put more contact of the string on the front of the bridge which I think is ideal. That the plane of the bridge be perfect for the optimum string contact to bridge surface is at best only an average. It would seem then that the maker or rebuilder wants the plane to favor maximum contact at the front of the bridge. These are conjectures only ---ric
This PTG archive page provided courtesy of Moy Piano Service, LLC