> Ideally the hammershanks should leave the hammershank rail at exactly 90º and, when properly travelled and with the hammer square to the shank, the hammer should impact the string set square and on center. , but it is quite rare to find an action frame and rail set in an older piano in here for remanufacturing that is aligned and/or drilled in a way that conforms to these standards. Del Under the topic of hammer-spacing, page 32 of the S&S technical reference guide states "Keep the hammershank flanges evenly spaced with each other and 90 degrees to the action rail." Sometimes I picture the author sitting at the typewriter, contemplating what he has just written, staring at a Steinway action rail, reading his words again, and laughing himself to tears. I'm thinking of a boardgame where the variables of the tubular rail, a previous generation's worth of stripped screw-hole repairs, worn rail cloth and the limitless variety of hammer-traveling options these provide are color coded with a spinner in the middle. "Spin to choose your contortion, then just try and make the shank/flange conform to it!" I love these pianos dearly, and a noble ideal it is, but on the day I can actually acheive evenly spaced, and 90 degree flanges on a Steinway action, we close off 10 city blocks and have a big parade! :>) Oh well, like the old Billy Joel song goes, "everybody has a dream!" :>) Hey y'all, get outside and enjoy the sunshine for awhile! best regards, Mark Cramer, Brandon University
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