At 08:29 AM 3/7/02, you wrote: >Dave, > >The numbers I got off the EX we had loaned to us for a few weeks >here were: F = 7.1 A = 6.9 C = 7.7 > >Eric, even though it's gone as of last Tuesday, I'd be interested >in knowing how those compare to your EX. > >Avery > > >List- > >Despite much advice to the contrary, I am tuning all 4 pianos to one >file. The two main reasons: I want to hear what it sounds like; and Eric >"suggested" it, and he is the boss of me, now. Three of the four pianos >have remarkably close FAC numbers (this week anyway): Steinway >7.4 7.8 7.1, Yamaha 7.3 7.8 7.2, Kawai 7.1 7.7 6.9. The surprise is >the Baldwin, which was rescaled & had Wapin installed prior to our tenure >here: 6.8 7.2 6.4. > >I am using the Steinway numbers on all pianos, since the day after Les >Noces, the Preparatory Dept. Piano Concerto Competition winner is playing >it in concert. I am using +0.5 d.o.b. spread, which is fairly >conservative for concert grands. This way I will have the upper treble >fundamentals as close as they'll hold. In the midsection, where the >fundamentals will deviate from lining up the upper partials, the A >readings are mostly so close that this is very little change. And basses >tolerate fudging quite a bit, in my experience. > >So far today I tuned the Kawai, which did sound the slightest bit odd in >the midsection, mainly because it doesn't tolerate octave stretching as >well; and also the Baldwin, which sounded fine (even though its FAC >numbers deviated the most). Both of these had the basses tuned aurally >when I started, and there were very few changes evident. Later the four >pianos will be lined up within reach of each other, and comparisons will >be handier. > >Will keep you all posted. > >p.s.--Fred, I really like pure triple-octaves in the very top, too. > >---------------------------------- >Lawrence Becker, RPT >Piano Technician >College-Conservatory of Music >University of Cincinnati >----------------------------------
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