Ray- How is the voicing and capo strikepoints? Irregular voicing can feel like "unevenness in the keys" as the performer struggles to control sound from note to note. Also poor strikepoints can have the performer banging desperately in the treble. I would not assume the factory stikepoints were tested note by note. How is the regulation? How are the keybushings? A week before recital is a hard time to communicate with a nervous performer. If you're unsure about reweighting the keys, now is probably not the time. (Do you have a good set of gram weights?) By the way, I learn a lot from picky performers. They can feel and hear things I can't. When I can please them, I know I've got it right. This guy could be a great friend to have around. Ed Sutton ---------- >From: "Breakall, Raymond" <rbreakal@richmond.edu> >To: "'caut@ptg.org'" <caut@ptg.org> >Subject: touchweight >Date: Tue, Sep 17, 2002, 2:22 PM > > > Dear list, > > I have a faculty member here who is very sensitive to unevenness in the > keys. The piano is an S&S D that is six years old. After I make sure all > friction is gone, keys are eased, etc., do I really want to start removing > leads? This piano should have been right at the factory and I really don't > know if I should be messing with it like that. I know that Stanwood's system > is probably a long term answer but this person has a recital next week. Any > suggestions? > > Ray > > > Ray Breakall > Piano Technician > University of Richmond > Booker Music Hall #38 > Richmond, VA 23173 > (804)287-6342 > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives
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