Ron Koval wrote: >So unless you find something in the historical record showing a composer's >preference, you are on your own to pick a tuning. Who are we to have the freedom to "pick a tuning" for what a composer was intending? If we can't know what tuning the composer used, then where's the educational value? It becomes merely a novelty. If we just pick the one we like, that is no different than imposing ET on all of it, no? Jeff
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