Hi Fred,
The early termination pieces were made of mild steel., They
had the problem of grooving over a period of time with just the abrasion of
tuning. Remove them resurface the profile. Heat to a dull cheery red and
quench in a bucket of water. Better yet take them to a good
machinist/backsmith, and have him case harden them.
The newer terminations are case hardened, and had a new profile (radius)
plus if you look carefully you will see they are different lengths. so as
to be detuned from the fundamental.
Regards Roger
At 09:37 AM 6/12/2003 -0600, you wrote:
> A colleague of mine (not subscribed to the list) has a problem
> with a Baldwin concert grand in his care. It is a "modern design" Baldwin
> - plate suspension system, acujust hitch pins, front termination system -
> but an early version. Specifically, instead of individual "termination
> units" (or whatever Baldwin calls them) for each unison, there is a
> composite section for each of the upper treble sections. (Here a moment
> of doubt enters my brain. I don't work on very many Baldwin grands, but
> my impression is that every one I have seen has individual units for each
> unison. Maybe my recollection is faulty. If so, please correct me,
> somebody). By termination unit, I am referring to the substitute for capo
> and v-bar, which terminates the speaking length and provides a duplex
> segment as well.
> The problem my colleague has described to me seems to be linked
> to one of the termination sections. The symptom is a "zingy" sound, and
> it is present in all but the last 2 to 3 notes of the section (the lower
> of the two). Other potential sources of this noise seem to have been
> eliminated from possibility.
> THe "zing" phenomenon was present previously to some extent, but
> suddenly (overnight, according to the owner, who is an accomplished and
> dedicated pianist - recording artist and performer) it got much worse.
> After trying a wide range of potential cures (none successful), my
> colleague tightened the allen screws which attach the unit to the plate.
> He said every one could be turned a bit, some quite a bit. THis didn't
> eliminate the problem, but it made a marked improvement.
> From the foregoing (and a lot of additional detail I am
> omitting), it seems pretty clear that there is some problem with this
> "termination section." The owner can't do without the piano for some
> months, so further examination will be put off. It will probably involve
> lowering tension of that section, quite likely removing those strings and
> the the termination section and examining it.
> Does this ring any bells for any of you. I am thinking Baldwin
> would have had a good reason for changing from sectional units to
> individual ones for each unison (if I am right that they did this). IOW,
> they had warrantee problems. Did they develop cracks? If so, how would
> one deal with them? Any feedback and suggestions would be most appreciated.
> I should add that this instrument has been through a lot. It was
> a touring concert instrument for many years, and could have suffered any
> number of jars and drops over time. And the musician, though not by any
> means destitute, is also not rolling in cash. So really major things like
> plate replacement would not be in the cards.
>Regards,
>Fred Sturm
>University of New Mexico
>_______________________________________________
>caut list info: https://www.moypiano.com/resources/#archives
This PTG archive page provided courtesy of Moy Piano Service, LLC