Ron, Here are a few Mozart examples with some dramatic harmonic movement, which should show off HT pretty well. All are fairly slow and relatively easy to learn/play: Sonata KV280, Adagio movement (especially second half) Sonata KV309, first movement, development section (right after the repeat of the first section) Fantasy in D minor, opening arpeggio section. There's a wealth of harmonically quirky writing throughout Haydn. He loved to surprise with a sudden shift of harmony - playing the same material in a distant key. Beethoven has plenty of examples, but in a quick survey I didn't find anything that was realtively easy to play. Schubert has a lot of dramatic enharmonic shifts (where sharps become flats and the like, and one goes from d flat minor, say, to g sharp major). There are also many sections in Bach where he runs through a number of keys in rapid succession - usually most dramatically in minor keys, and with a fair amount of counterpoint, hence not real easy to play. The b minor flute/harpsichord sonata is a wonderful example. Hope this helps. Regards, Fred Sturm University of New Mexico Ron Koval wrote: > Hello any temperament types... > > I don't have any trouble hearing/demonstrating a piece that sounds really > nice in the simple keys. Does anyone know of a section of a piece, playable > by an intermediate pianist, that uses the remote keys, showing off the added > dissonence while demonstrating the difference between ET and an alternate > temperament. If there is something that really takes advantage of the wide > thirds, I think it would be worth my time, even if I only work up a few > bars..... (or is that walk to a few bars?) > > Ron Koval > Chicagoland > > _________________________________________________________________ > Help STOP SPAM with the new MSN 8 and get 2 months FREE* > http://join.msn.com/?page=features/junkmail > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives
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