Harpsicord question

Stephen Birkett sbirkett@real.uwaterloo.ca
Thu, 20 Mar 2003 00:27:47 -0500


>So, at least, that establishes that piano sharps were black then, 
>rather than white. If anyone can take it fur

The pianotech archives for  Thu, 17 Oct 2002 01:08:02 -0400  have a 
message I wrote on the subject of key coverings. Here it is again for 
easy reference:


David forwarded:
>Begin Forwarded Message
>>To whom this may concern,
>>I am a college student doing research on the history of the piano.  What
>>I am trying to find out is why in the earliest pianos the keys that are
>>white today were black then and why did the color change?  Can you please
>>help me with this information?

Angela,

You won't be able to find an answer becuase the statement is not true.

First, it is a generalization that fails geographically (e.g. English
pianos and harpsichords) and temporally (Ruckers harpsichords from the
earliest 16th c had bone keyboards with dark bog oak sharps; italian
harpsichrods often had light boxwood keyboards).

Second, it is a generalization that fails even within the context of
Viennese pianos. All you can really say is that pianos after about 1815 all
had white keyboards (either bone or ivory). But there is at least one
extant Viennese piano as early as 1785 with white naturals. Prior to 1815
both types of keyboard were made and the colour of the keyboard cannot be
used as an indication of the date of the piano. All that can be said is
that white keyboards generally were coupled with fancier, more expensive
case veneering and ornamental stuff, often mahogany, while black keyboards
were used on pianos veneered more plainly, with fruitwoods or oak.

When it comes down to it it is all just fashion and economics - no
different from now.

Yo. How about doing some real research if you are a college student. Check
out the source material, organological literature etc. It's easy to ask but
more rewarding to do the legwork in the library yourself. And don't believe
everything that is written either - much of it is wrong.

Stephen

Stephen Birkett Fortepianos
Authentic Reproductions of 18th and 19th Century Pianos
464 Winchester Drive
Waterloo, Ontario
Canada N2T 1K5
tel: 519-885-2228
mailto: sbirkett@real.uwaterloo.ca
http://real.uwaterloo.ca/~sbirkett


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