>Hi Fred,
4gms of friction seems to be the optimum for tone
production, as it keeps the knuckle firmly in contact with the
balancier. I usually demonstrate the effects of friction in my Prelude to
Voicing classes. There is usually a lot of slack jawed experienced techs,
at the end of the demonstration.
Regards Roger.
>Hi Jim,
> Thanks for your report on Eric's comments. Very interesting and useful.
> I don't think the low friction has anything to do with heavier
> hammers. To the
>best of my knowledge, the increase in hammer weight was addressed with
>design changes - particularly change in knuckle placement with resultant
>increase in dip, but I believe there were a few other, more subtle changes as
>well. I've had more of a tendency to suspect that the statement "as long
>as the
>center is firm, it doesn't matter how much friction there is" had more to
>do with
>setting limits on warrantee liability. To put it crassly, "If you want
>more friction (for
>whatever reason), that's fine, but Steinway isn't going to pay." 2 grams has
>always been my absolute bottom limit, and 1 seems awfully low. But I'm
>willing
>to suspend disbelief to a certain extent.
> The friction in a hammer flange doesn't transfer directly
> (numerically) to
>downweight at all, and certainly doesn't multiply. Hammerflange friction is
>usually a fairly small portion of overall friction, which is a small
>portion of down
>weight. The largest portion of action friction is knuckle to rep
>lever/jack, then
>wippen cushion to capstan and keybushing to keypin. Action center friction is
>generally the smallest portion. Unless action centers are nearly frozen,
>their
>contribution to measured DW (or friction calculated from DW and UW) is well
>within 5 grams. As Don Mannino noted in an earlier post, he finds increasing
>hammershank center friction from zero to (I think it was) 4 grams
>increases DW
>by only 1.5 grams, which sounds about right.
>Regards,
>Fred Sturm
>University of New Mexico
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