Oh, the subtlety of it all...It's rich to consider we work in a field where such artistic matters can be debated. Remember that after-ring was considered a virtue in harpsichords - and still is by many contemporary makers. Now we can learn historical damping as well as historical temperaments. Vive le difference! At 07:50 AM 9/4/2003 -0400, you wrote: >Bravo Mr. Roger! > >So in a two piano hall we can offer "classical" damping on one and "romantic" >damping on the other....! > >Ed S. > > > > > > > > >While we see the felt arranged both ways, quieter damping will be achieved > > >when the plain felt is at the back. > > > > > >Ron O. > > > > Hi Ron, > > But a wider range of half pedal results the other way > > round. "Chuckling" Now take your pick, how far down do you want subtle > > half peddling. > > > > Jolly Roger. > > > > > > _______________________________________________ > > caut list info: https://www.moypiano.com/resources/#archives > > > >_______________________________________________ >caut list info: https://www.moypiano.com/resources/#archives
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