I guess I should re-phrase that to say "I suspect"...glovers needles, since I found a supply left in a drawer here, & given what I've seen, put the two together as cause & effect. However, the problem is not the split hammers. Hammers are no big deal, though it may take awhile to get through all of them. My goal is to change the prevailing culture here, not just the hammers. In the "sensitive artist", confronting psychosomatically induced piano ills calls into question all sorts of things, including such inconsequencial things as talent, hearing ability, artistic judgement, technique, etc., etc. Such things can get one into an adversarial situation very quickly, if not approached with great tact. Therefore, I call upon your vast, collective experience. Otto ----- Original Message ----- From: "Kent Swafford" <kswafford@earthlink.net> To: "College and University Technicians" <caut@ptg.org> Sent: Wednesday, September 17, 2003 2:23 PM Subject: Re: performance piano - student psychopathology 101 > I'd go farther. Glovers needles don't exacerbate the problem; they > _cause_ the problem in the first place. > > Trash the glover's needles, stick with some good "sharps", and I bet > hammers won't split. > > Kent Swafford > > > > On Wednesday, September 17, 2003, at 03:51 PM, Otto Keyes wrote: > > > Some of these have been voiced w/glovers needles it would seem, which > > exacerbates the problem. > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives
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