Jim, I see - obviously a different scale completely. Nevertheless, my point is that the agraffes do lead to a substantially brighter tone, and this is made very obvious on those models where the agraffes stop at the treble break. Don Mannino RPT > -----Original Message----- > From: caut-bounces@ptg.org [mailto:caut-bounces@ptg.org] On > Behalf Of James Ellis > Sent: Wednesday, June 23, 2004 1:57 PM > To: caut@ptg.org > Subject: Agraffes on Bridge > > > Don, (Mannino) > > You and I are apparently talking about two different scales. > In the scale I am talking about, the bridge agraffes did not > stop at the treble break, but went the entire length of the > main bridge all the way up to #88. The problem was in the > top three octaves. By contrast, the strings at the low end > of the bridge had relatively low tension. The relative > tension along the main bridge went from one extreme to the other. > > Thanks to all for your comments. > > Jim Ellis > > > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives >
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