Hi Jim. First and formost, thank you muchly for your kind words. The whole experience with the magnetic assist action has been quite a learning experience for me, and a lot of fun as well. I do want to publicly thank Bob Hohf and his staff for the absolutely dynamite presentation of the article. Over to Jim Hudsons article tho... Dont you think a whole 3 mm letoff is a bit overkill on the safe side ? Where do you generally like letoff and drop yourself, and why ? Interesting to find so much variance in this seemingly simple point. Cheers RicB James Ellis wrote: >This is one I can't resist, so I am going to jump in here with my "two >cents worth" (No, it's not about tuning). > >"PRACTICAL CONCERT WORK" by Jim Hudson, June 2004: > >What no one seems to have noticed is the word "Practical" in the title. >That sets the tone for the whole article, but some readers did not seem to >hear it. Fred Sturm says he prefers to set let-off at 1/32 inch. Well, I >don't. If I set it like that, I'd be in trouble for sure. That's right at >the very edge of blocking, and even if it does not block outright, it does >not produce a clean let-off, and that results in occasional bizarre sounds >when the hammer does not completely clear the very first-half cycle of the >strings vibration. David Love says setting let-off like this is >"dangerous", and I agree. Otto Keyes says "consistency" is what one should >strive for, and I agree with that too. But if you regulate to a "gnat's >eyelash", Bill Garlick has said you better stick around for the concert. >True, but that might be too late. > >In all this nit-picking with Jim Hudson's article, did no one mention drop >regulation? If you want consistent response for playing very soft >passages, you had better pay close attention to that too, as well as to >consistency in the regulation of the repetition springs, and everything else. > >"MAGNETIC ASSIST FOR GRAND PIANO ACTIONS", by Richard Brekne, June 2004: > >With all this interest in nit-picking Jim Hudson's article, am I the only >one who has taken a special interest in Brekne's article? This is really >neat! It is innovative. It is clever. There are other magnetic touch >systems around, but this one has something clever that the others don't. >One of the first questions that popped into my head was the non-linear >decrease in magnetic repulsion as the two tiny magnets move farther apart >as the key moves. Richard takes care of that by suggesting a second pair >of magnets behind the capstan, which would be attracting. Thus, the >non-linear repulsion of the first pair would be compensated by the opposing >non-linear attraction of the second pair. Very clever indeed!! In other >words, the combined effects would apply a measured force tending to rotate >the front of the key downward and the wippen upward around a pivot at the >point where the capstan touches the wippen cushion. Since the capstan >never leaves the wippen coushion, the action ratio is not changed. All >that happens is that the need for lead in the fronts of the keys, and the >moment of inertia is reduced, without the use of springs. The thing to >watch out for here will be that the spacing of the magnets will need to be >regulated as the capstan depresses farther into the wippen cushion over >time. This, in my opinion, is very clever and very innovative, and I for >one would like to see how it all plays out in the end. Congratulations, >Richard! > >Sincerely, Jim Ellis > > >_______________________________________________ >caut list info: https://www.moypiano.com/resources/#archives > > >
This PTG archive page provided courtesy of Moy Piano Service, LLC