Hi everyone, Thank you Michelle for the suggestion and the kind note:). I wish it would be easy but the score is quite demanding and it does go all over the place. I would like to thank everyone that suggested different ways to go around this. Unfortunately this a hard one to educate people on it, as it is in the score by a fairly reputable composer. There is not much I can do about that. The suggestion that Daniel Gurnee gave for staples is interesting and I think I might give it a try. If it avoids of me putting anything pointy in the hammers as to ruin them, I am game. Thanks again, and I will keep you posted. Best. Victor Belanger MIT >Hey folks- how about this? > >For those needing a piano with tacks in it- why not just pop off the >good hammers on your pianos for those particular notes, and put on >some crappy ones you got laying around and put the tacks in those?? > >Just a thought. > >I now it's extra work- but maybe it's better than a raising some >Lazarus hammers. > > >:) >Michelle > >stranges@oswego.edu At 11:27 AM -0700 10/8/04, David Ilvedson wrote: >----- Original message ----------------------------------------> >From: Daniel Gurnee <dgurnee@humboldt1.com> >To: College and University Technicians <caut@ptg.org> >Received: Fri, 08 Oct 2004 08:35:46 -0700 >Subject: Re: [CAUT] Thumbtacks in hammers! > >>Humboldt State University has performed works requiring a Cimbalom type >>sound which I provided not with tacks but staples. A light sound can be >>obtained using paper straples and a heavies sound with shop staples. The >>staples are placed at the crown of the hammer crosswise and clamped to the >>sides. The impact on playing keeps the staple in place and does no damage >>to the hammer. > > >Daniel Gurnee, RPT retired from HSU
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