Jim is right on here Bob, geometry first, then friction, then touchweight is the effective order of events but nevertheless I stand by my last post that the biggest bang for the buck in this type of work will be in marrying the strike weight to the ratio. Chris Solliday ----- Original Message ----- From: "James Ellis" <claviers@nxs.net> To: <caut@ptg.org> Sent: Sunday, July 31, 2005 4:05 PM Subject: [CAUT] Touchweight, etc. > I have been reading some recent posts on touchweight and related subjects, > and I detect much confusion that would be impossible for me to clear up in > a single post on this list. I'll just make a few general statements. > > In Bob Hull's latest post, his measurements indicate reasonably even strike > weight, although it might be a tiny bit heavy in the high treble. > Down-weight, up-weight, and balance-weight are all over the map. I don't > see a column of numbers for the friction component, but I suspect that's > where the problem is. > > Here's how I do it: > > I deal with the friction first. Keys first, absolutely, before anything > else, then the various action centers. There is no sense fretting with > action centers if the keys are binding. To do a thorough job checking the > keys, the stack must of off. You will find things you can't find if the > stack is on. After you have the keys all in good shape, deal with the > action centers. Don't overlook mundane things like rep levers rubbing on > adjacent knuckles, and stuff like that. > > If the hammer weight taper it reasonably even, the strike weight will be > also. If that's the case, and unless someone has been messing with the > action geometry, and it looks to be in order, I weigh off for balance > weight, with perhaps a little give and take here and there if there is > reason to do so. Friction will go up and down as the relative humidity > changes, and so will down-weight and up-weight, but balance-weight will > stay the same. > > If the friction component is fairly even; if the strike weight taper is > smooth, and if the action geomerty has not been screwed up, the other > measurements will fall right into place. > > Unfortunately, I find cases where capstans have been moved around, and > other things done to the action, when that was not the problem in the first > place. It's very doubtful that an S&S D has the capstans in the wrong > place, but if that is the case, it's a major problem. Being poorly aligned > with wippen heels is more common. I would do some very careful checking > before I started messing with the action geometry of a premium-quality > grand, but I would do it, and have done it, when I have found such a > problem - which isn't very often. > > More often than not, the problems I find are those that come from the fact > that somewhere along they way - at the factory or somewhere else - someone > did a weigh-off while uneven frection was still present. When that > happens, you may end up with fairly even down-weight, but everything else > will be all over the map. > > That's the way I do it, and unless someone has screwed up the action > geometry, or it was flawed in the first palce, it works every time. > > Sincerely, Jim Ellis > > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives > >
This PTG archive page provided courtesy of Moy Piano Service, LLC