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With Tunelab a false beat will show up on the spectrum display as =
another distinct peak (pitch) which will move in parallel w/the =
authentic one as the tension is changed. Extreme false beats can cause =
a lot of "noise" on the display, but the combination of phase & spectrum =
display with the new features which help you zero in on the pitch make =
it pretty precise. As with any ETD, aural tuning skills are essential =
for efficient use. Aurally, the false beat will remain at a constant =
speed, while the beat from the true pitch will vary in speed as the =
string is tuned -- that's how you determine which one is correct. If I =
encounter a string with a strong false beat, I will often move the mute =
to find a cleaner string in the unison, set the pitch & then tune =
aurally to that. (I nearly always tune my unisons aurally) If =
necessary, I will tune all three strings with TL & then check the unison =
& octave aurally, bearing in mind the sound of the false beat(s) of the =
individual string(s). If noise in the unison matches the noise in the =
false string & the octave is acceptable, I know I've done the best I can =
with that unison & move on.
What I find interesting with any ETD that I've tried, is that checking =
individual strings of a clean, at-pitch unison with the ETD will give a =
clean reading at the proper pitch. However, checking the open unison, =
the ETD will sometimes indicate that it is slightly sharp or flat. Has =
anyone else observed this? This again points out the need for good =
aural skills --- but I sure like the TLPocket!
By the way, one of the nicest features of TL is the spectrum display =
which allows easy, un-muted pitch-raising. Robert has just come out =
with an up-grade as well, which expands the capabilities considerably & =
makes some functions significantly easier to use. Powerful pocket =
product!
Otto
----- Original Message -----=20
From: Avery Todd=20
To: College and University Technicians=20
Sent: Thursday, March 03, 2005 7:59 AM
Subject: ETD Jumpiness (was Re: [CAUT] Sacrifice (was tuners- =
technology))
List,=20
Really "never?" There can certainly be problems interpreting the =
SAT's display, and when a string produces a "jumpy" display, yes, it can =
be a problem tuning a really clean unison using the display alone. =
According to Jim Coleman, the "jumpiness" is generally a result of a =
feature of SAT: the ability to hear and display two pitches of a =
"falsely beating" string simultaneously.=20
I find that the RCT (which I currently use) seems not to have =
this problem, at least to the same degree. Sometimes I do need to move =
the mike closer, but the display isn't usually ambiguous. At any rate, I =
find that it is easier to interpret, using all three visual feedback =
elements (spin, growing, blushing).=20
With some snips for brevity, along this line I'm curious to know if =
the VT & Tunelab have any of this=20
"jumpiness" problem. I know my SAT III does!=20
Avery=20
Regards,
Fred Sturm
University of New Mexico
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