This is a multi-part message in MIME format.
---------------------- multipart/alternative attachment
These speculations are all very amusing, but seriously, John Cage was =
quite sincere about these pieces, in the sense that he had a very =
carefully considered philosophy and methodology of composing, and was =
VERY interested in the uncontrolled, spontaneous moment as part of the =
composition. The changes and unrehearsed differences that occur from =
performance to performance (including different prep materials and what =
people think he might meant by this or that instruction) were for him, =
part of the music. This included audience reaction, which would =
include, I feel certain, the controversies around the music like what is =
in this thread right now. He hoped to evoke an awareness on the =
listener's part as to what part of the musical experience is our =
reaction based on expectations and preconceptions, and what part is =
simply the spontaneousness of the moment-- and what it means to actually =
have a "purpose" in the first place. In his playing with the very =
definition of music, he was very influenced by an abiding interest in =
Zen Bhuddism. He was anything but drug induced (joking aside), but was =
a very articulate, fastidious man who was very health conscious. You =
can Google him and find out all kinds of fascinating things about him. =
When you see how important he was to a certain branch of musical =
thought, he certainly commands respect for integrity of intent, even if =
you remain uninterested in the music itself.
We have a percussion instructor here who is a John Cage scholar and =
serious fan. At least one of his works is performed here every year by =
the percussion ensemble, and while it is true that you must carefully =
control and instruct the pianists "preparations", I've never seen a =
broken string due to this use. The worst that has ever occured is a =
slightly cockeyed damper head, and after the problem and the way to =
avoid it was pointed out, the problem did not recurr. We don't allow =
the main performance instruments to be used for this purpose, and in =
general a culture of respect and concern for the piano's well being is =
fostered and maintained by all involved, beginning with myself and the =
percussion instructor. With this as the basis for doing this music, =
everyone can usually relax and have fun.
Just my two cents.
Greg Granoff
Humboldt State University
----- Original Message -----=20
From: Jeff Tanner=20
To: College and University Technicians=20
Sent: Wednesday, October 05, 2005 10:36 AM
Subject: Re: [CAUT] John Cage, "The Earth Shall Bear Again"
On Oct 5, 2005, at 11:48 AM, Otto Keyes wrote:
My vote is to let the earth bear it....again.....give the rest of us =
a break
outside the cage...
Otto
Well, I would vote with you, but it is beginning to look like my =
preferences and suggestions that prepared piano accelerates piano wear =
are being totally ignored. =20
"I just want to do something different"=20
"but it sounds so cool"
Yeah, some people probably think the sound of an airliner colliding =
with a tall building sounds cool and different too.
Anyhow, I agreed to help her with the preparation. This piece didn't =
look too involved as long as she lets me help. Rather do it that way =
than find a bunch of maimed damper felt and broken strings. The problem =
is going to become that she will want to rehearse it on a prepared =
practice room piano from now till March. =20
Question is this: the instructions give exact distance from the =
damper to place the screws, bolts, etc. How much does piano make and =
model affect what Cage was after? (I mean, really, was there really a =
method to his madness? or was this guy just really doing some serious =
d-basing?) When he says "bamboo", is it a "slice" of large bamboo or a =
"tube" of smaller diameter bamboo (like what he was using to snort coke? =
maybe a doobie holder?)? green or dried? and what is usually used for =
the "plastic" weaved around the low A, Bb, and B? Drink straw maybe? =
(see snort)
No. I'm sorry. I just can't take this music form seriously. But some =
people want to give it merit.
Jeff
---------------------- multipart/alternative attachment
An HTML attachment was scrubbed...
URL: https://www.moypiano.com/ptg/caut.php/attachments/93/12/7f/4b/attachment.htm
---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC