> We are going to swap the pianos in her studio to see how the up until > now less played piano behaves. There it is. Now we can see how much hammering on the piano sharpens the capo. Also, does this piano have a decent dynamic range? Can it produce a convincing fortissimo, or is she trying to pound sound out of something that doesn't have it to give? > But in the meantime, do you suggest I let down the tension and > "shoeshine" the capo to see if that helps? Any other suggestions? Swapping pianos will be your most valuable diagnostic. While piano #2 is being pounded on, clean up the capo on #1 and restring those sections so someone else can use the piano. Then wait and see which piano starts having broken strings. > I realize piano technicians know nothing of piano technique, and all > the foremost authorities of string breakage are PERFORMING ARTISTS and > not technicians, physicists or engineers. But at what point can we say > that fortissimo is pushing the machine past its design limitations? > > Thanks. I'm off to change two more strings in her studio. And no, > this piano is never in tune anymore. How about micing the piano and amplifying it right up close to her. Maybe if it hurts enough, she'll back off. Ron N
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