Hey Bill, Have you ever found a straight strate mate? ONce I started using the Fazioli level and then Joe's I discovered the straight wasn't so straight, so I had it straightened and then I discovered using the bubble that it wasn't so straight. you get where this is going. anyway, good procedure Fred and Bill I'm sure we're close. Chris Solliday ----- Original Message ----- From: "william ballard" <wbps at vermontel.net> To: "College and University Technicians" <caut at ptg.org> Sent: Friday, July 21, 2006 10:43 PM Subject: Re: [CAUT] "phing....pck.....pluug" > On Jul 21, 2006, at 11:35 AM, Susan Kline wrote: > > "phing....pck......pluug" is a keeper. > > Heck, it's all Vietnamese to me. > > On Jul 21, 2006, at 9:35 AM, Fred Sturm wrote: > > I used to do all my string leveling to the hammers, starting with a > > level filing job, then leveling by mating (pressing hammer to string). > > And I used to start my string leveling with the nylon roller of a > Straight Mate, having moved the pivot of the lever so that it held > the roller to the string with a much more reasonable pressure. And > before that I fooled around with a small machinist's steel adjustable > parallel. > > But one day I mounted a dial indicator in a machinist vice. Sliding > it up and down the length of three strings of a unison (between the > edge of the plate and the strike point, I quickly saw that each > string had it's own curvature. Sliding the dial indicator across the > three strings at the strike point and just ahead of the dampers, I > got two sets of readings. I decided that the only relevant place to > measure string level was at the exact same spot as the strike point. > > I also noticed that my voicer's ear could pick up open string whines > when the open string was a mere 5 mils above its neighbors. (Of > course the softer the hammer, the less hammer fitting is an issue.....) > > > But I can get to a more precise place much faster if I start by > > leveling the strings with a string level. > > Good. I'm happy for you. Seriously > > > Try it, you may like it. > > If I need to I might, but this technique has never steered me wrong > > > That said, I can usually get a pretty fine level on a piano in an > > hour, and then have very little touch up unless I am doing > > extraordinarily persnickety work. > > Roughly my same time, plus the work has been done on the basis of > sorting out where the out-of-level is, and the fitting in the U.C. > position has also been directly verified instead of assumed. > > > Just like tuning precise unisons, setting precise rep string > > strength, or setting a precise hammer line. Or bending grand damper > > wires. Minute, controlled movements. > > We work the same way, and I think we would enjoy watching each other > work. > > mrbl > wbps at vermontel.net > > > >
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