Quoting David Skolnik <davidskolnik at optonline.net>: > Wim - > By coincidence, I was experimenting with just such a false beat this > > morning on a newly rebuilt Steinway L fro the '20's. On note C#7, > treble-most string had a beat of appoximately 6-7 bps. There was no > > change in adding mass (as screwdriver) to any other part of the > system. In fact even touching the bass of the bridge pin with > varying amount of force and from different directions produced > virtually no change. What did accelerate the beat rate was moving > the screwdriver up the pin towards the top. The pin did not seem to > > be loose. It seems possible that some aspect of the pin sets up an > internal resonance that could interact with the frequencies created > by that string. I'd love to try something like pulling the pin and > changing the length, or take complete measurements of weight, length > > and diameter, and then alter one at a time. Well, I mean note the > changes of weight and length. What's interesting too, is that > sometimes, a blade placed on top of pin of a vibrating string > vibrates quite noticeably, and at other times, such as this, not. > > As far as your theory, I'm not sure I see how that might work. Care > > to elaborate? > > David Skolnik > Hastings on Hudson, NY David I don't know how it works, per se, since I am not an electrical engineer nor a metalurgist, but I just took an inch by inch measurement of a #14 wire for about a foot, and found a slight variation in several spots of between .02 and .001. My therory is that it is this slight imperfection that causes "false" beats. Wim > > > > > At 10:30 AM 4/14/2007, you wrote: > >There is one thing that Ric mentioned that gives me reason to > believe > >the reason there are "false" beats is because of the differences of > >the diameter in the string itself. He said "the addition of mass to > >the strings front bridge pin, or an area very close to same has an > >impact on the speed of the beat.... and at some optimal degree of > mass > >addition (or even > subtraction perhaps) the beat disappears." > > > >When strings are drawn to size, it goes through smaller and smaller > >holes. The strings are pulled by an electric motor. As with any > >electric device, the speed of the motor changes as the amount of > power > >fluctuates. The surges in power are effected by other electric > >appliance starting or stopping. > > > >My theory is that in the factory where string is made, there are > >lots of large electric motors that stop and start constantly. It > >doesn't take much to cause a small surge in any of the motors. As > the > >surge occurs, it slows down the speed in which the wire goes > through > >the hole. This, in turn, changes the diameter of the string. It > might > >be so small that it is undetectable, but it might be enough to > cause > >the string to change it's beating pattern. > > > >Am I way out of it, or is this a plausible cause of false bats? > > > >Wim > >Willem Blees, RPT > >Piano Tuner/Technician > >School of Music > >University of Alabama > >Tuscaloosa, AL USA > >205-348-1469 > > > > > > > >Quoting RicB <ricb at pianostemmer.no>: > > > > > Hi Folks > > > > > > Several off list discussions with a few well known piano physics > > > profs > > > has recently confirmed a now long held suspicion that the idea > that > > > classic false beats or single string beats are caused by a loose > pin > > > is > > > just plain way too simplistic and very far from complete. In > fact > > > loose > > > pins can only account for a contributing factor to the overall > larger > > > > > > and holistic bridgepin / bridge / and soundboard termination > area. As > > > a > > > consequence of this it should be expectable to find this kind of > > > falsness in all registers of the piano, contrary to present > popular > > > belief that these are confined to the mid upper range of the > piano. > > > > > > Closer examination of what the overtones of strings in all > registers > > > of > > > the pianos does indeed reveal exactly this. I am finding single > > > string > > > beating in all registers and these are of the sort that respond > to > > > the > > > pressure of a screwdriver or similar tool to the side of the > pin. > > > They > > > are quieter and harder to discern the lower you get in the > scale, > > > probably because of the wealth of overtones and amplitudes of > these > > > that > > > are present, but they are indeed and no doubt about it very > present. > > > > > > From A0 to C8 one can find this kind of single string beat > popularly > > > > > > called the false beat. > > > > > > One thing I find curious, tho I have not confirmed it yet... is > that > > > > > > these beats seem to occur in range of 1500 hz upwards. At least > in > > > the > > > ones I've been able to identify in bass notes... they seem to > convey > > > a > > > sense of being overtones in this range. > > > > > > In all cases so far, the addition of mass to the strings front > bridge > > > > > > pin, or an area very close to same has an impact on the speed of > the > > > > > > beat.... and at some optimal degree of mass addition (or even > > > subtraction perhaps) the beat disappears. > > > > > > It has seemed to me for a long time that this whole area of > sound > > > problems needs quite a bit more close examination as to what > really > > > causes this single string beat. And it also seems more and more > > > evident > > > to me that a cure, and one which bears with it other tone > enhancement > > > > > > factors, lies somewhere in an <<optimal mass at the > termination>> > > > perspective as opposed to the idea that the pin simply needs to > be > > > tight > > > enough. Especially since loose pins can so often be absurdly > present > > > > > > with no noticeable resultant single string beat. > > > > > > Cheers > > > RicB > > > > > > > > > > > > > > > > > > > > Willem Blees, RPT Piano Tuner/Technician School of Music University of Alabama Tuscaloosa, AL USA 205-348-1469
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