Fred writes:( and I take somewhat out of context, but still on the subject)
<< But when all the octaves are obviously too wide in the
calculated tuning, reducing their width in a systematic way is often
a good solution. I would typically just do a 6:3 (play the octave
above, stop the lights to that note, then tune the lower note).
Occasionally I would do a slightly narrowed 6:3. And usually I would
only have to do this for a short section before the calculated tuning
was fine. >>
I think the best of all possible worlds is when we can combine our
aural, aesthetic sense, with modern technology. So, what I have found, when faced
with a small scale that is obviously going to need my ear to help the machine
tune it, is to aurally tune a string of octaves down to the bottom of the
bass. "A" is as good as any.
When I have aurally found a place where I can accept the octave width, I
then use the Double Octave Button on the Sat III to alter the FAC tuning so
that I stop the lights at the bottom of the string. Rarely do I go above .3 or
.4 on the DOB. Then I simply use this setting and plug the FAC into the
piano.
Sometimes, and only rarely, do I find I want to change the DOB setting
from say, .2 to .3 on the way to the first octave. This procedure is very
helpful when using a non-ET, since there is no way to use progressive, chromatic,
beating to help in the alignment.
At times, there will be a wild note obvious after I do this, and on those
occasions, I simply tune it into a compromised position by ear. No need to
waste time measuring and fussing with the machine.
Regards,
Ed Foote RPT
http://www.uk-piano.org/edfoote/index.html
www.uk-piano.org/edfoote/well_tempered_piano.html
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