Hi Scott
I dont think anyone would go so far as to say the board is not a major
contributing factor. Its just that the idea that a change in the
vertical displacement of the string by the board / bridge and board
assembly can account for much of a change.
I look at some obvious consequences of such changes... and these rule
out either by virtue of physical realities or by what we observe that
vertical displacement changes can account for much. That basically
leaves segment length changes which when accompanying change in tension
is calculated become interesting. Even these tho have to add up with
what we observe.
For example... we see that major changes are happening to the long tenor
unwound strings. So far... there is nothing I've seen put forward by
anyone that can account for these changes. It is stated that the low
tension on these wires cause a far greater response to similar changes
relative to wire under higher tension. But you can calculate change in
tension for change in segment lengths... and you need a combination of
all segments changing lengths pretty significantly to account for the
observed change in pitch.
One also has to account for why unisons consistently display non uniform
change in pitch to climatic changes... and do so in such symmetric fashion.
There is lots we dont really have figured out here... but a strictly
vertical displacement just doesnt seem likely. A monochord experiment
with an adjustable bridge height deflection will underline that nicely
for you.
Cheers
RicB
Ok, I get it. Thanks for the clarification.
Maybe you guys are right, but it seems counterintuitive to me that
the board
is not a major contributing factor due to it's size and the fact
that it is
captured in the rim and has rise and fall (or try too).
Is it possible that tension could increase in response to the upward
force
while also containing the upward movement, or is that impossible?
Scott
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