On Mar 17, 2007, at 3:29 PM, reggaepass at aol.com wrote: > If it were me, unless I really owed someone at the venue a big > favor, or had other profitable things to do in that area during the > down time, I would either charge for travel time (for each trip) or > charge a reduced hourly rate to "hang out". > > Alan Eder I agree. Time is money. . . . . ALL of your time spent on their behalf. Carl > > -----Original Message----- > From: maxpiano at sc.rr.com > To: caut at ptg.org > Sent: Sat, 17 Mar 2007 9:18 AM > Subject: Re: [CAUT] False Beats and George Winston > > Last time I tuned for him, I got there at my usual (for this > venue) 7 AM and tuned the piano. When I was finished, the staff > told me he had come in after the previous night's show and had > practiced through the night. This time, his people have specified > that the piano is to be tuned the day before the concert, and then > be gone over between 4 and 5 PM the day of the performance -- with > touch-up during intermission. > > This occasion made me cut up an old brass pedal rod for string/ > balance pin working tools, as the previous one got left in a piano > a week or two ago. > > This venue is 35 miles out of town for me. I haven't previously > been asked to make two separate visits for one show. Since it also > involves waiting around between 5 and 8 PM, plus hanging around to > listen to music that doesn't particularly turn me on, I am mulling > over how to charge for this one. Any suggestions? The venue gives > me two complimentary tickets to anything my wife and I want to > attend, so I have to balance that in. And we go every month or so > to some fine shows. > > Bill > > ______________________________________________________________________ > __ > AOL now offers free email to everyone. Find out more about what's > free from AOL at AOL.com. > =0 >
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