Hi Dave
I was refering to agraffes and not the entire scope of piano building.
And it seems to me that with very few exceptions most of the newer
instruments I've seen in the past say.... 15 years anyways have had less
then optimal quality control in this area. Addressing the entire scope
of design, all the problems surrounding that and manufacturing
realities, marketing realities, and the realities about both pianists
conceptions/misconceptions and our own as piano technicians seemed to be
a bit off the subject matter of agraffe alignment, tho to be sure a
potentially very interesting discussion in its own right.
But back to the topic of this thread... Strikes me that there has been a
general industry wide decline in agraffe quality in the last 15-20 years.
Cheers
RicB
That's not been my observation. To generalize (and I really dislike
generalizing) American manufacturers have in the past been more
likely to
innovate and redesign and improve. Currently they're not doing
that! Major
design improvements have not been part of the picture since early in the
last century.
Asian manufacturers - on the other hand - generally have not
redesigned or
innovated but have been much better at the precision of their work.
Even
the new Shigeru Kawai pianos, wonderful as they are, have no design
improvements. They are just copies of the same old designs but much
more
precision in the execution.
Pianos are made of 3 things - design, materials and execution. In
my view
the manufacturer that started this small thread has used very good
materials. Those good materials have been used on old, old designs and
executed in very sloppy fashion. Asian manufacturers have used
these same
antique designs with somewhat less wonderful materials but have done
it with
much more precise execution. This leaves us only old designs. Then
we do
get the choice of excellent materials put together poorly, or somewhat
lesser materials assembled much more precisely. I think that is why
most in
our community have continued to opt for the excellent materials
because we
have the know how to tidy up the poor workmanship. We complain
about it,
but this is the piano business as we know it.
dave
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