Hi Jim.
I just find myself doing an lot of creative string leveling that I dont
seem to remember having to do some years back. Its kind of difficult
sometimes when brand new instruments come off the line with things like
the middle string hole being high, and the left being low... with the
right inbetween. And I havent really noticed that any particular brand
seems all that much more prone to this kind of thing then others
personally. I'd almost go so far as to compared Yamaha C series with
Petrofs for that matter... and thats saying something.
That said.. buying replacements may be another matter depending on who
supplies you. Last bunch I bought were by no means impressive. Ron is
one of those outstanding positives in our industry to be sure. Its is
to be hoped your comment about him is correct.
Cheers
RicB
Hi Ric,
FWIW the last agraffes I bought weren't worse that old ones, but they
weren't any better for sure. Seems like the manufacturers would look at
improvements like Ron Overs is doing...
Regards,
Jim Busby BYU
Hi Dave
I was refering to agraffes and not the entire scope of piano
building.
And it seems to me that with very few exceptions most of the newer
instruments I've seen in the past say.... 15 years anyways have
had less
then optimal quality control in this area. Addressing the
entire scope
of design, all the problems surrounding that and manufacturing
realities, marketing realities, and the realities about both
pianists
conceptions/misconceptions and our own as piano technicians
seemed to be
a bit off the subject matter of agraffe alignment, tho to be
sure a
potentially very interesting discussion in its own right.
But back to the topic of this thread... Strikes me that there
has been a
general industry wide decline in agraffe quality in the last 15-20
years.
Cheers
RicB
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