Hi Jim. I just find myself doing an lot of creative string leveling that I dont seem to remember having to do some years back. Its kind of difficult sometimes when brand new instruments come off the line with things like the middle string hole being high, and the left being low... with the right inbetween. And I havent really noticed that any particular brand seems all that much more prone to this kind of thing then others personally. I'd almost go so far as to compared Yamaha C series with Petrofs for that matter... and thats saying something. That said.. buying replacements may be another matter depending on who supplies you. Last bunch I bought were by no means impressive. Ron is one of those outstanding positives in our industry to be sure. Its is to be hoped your comment about him is correct. Cheers RicB Hi Ric, FWIW the last agraffes I bought weren't worse that old ones, but they weren't any better for sure. Seems like the manufacturers would look at improvements like Ron Overs is doing... Regards, Jim Busby BYU Hi Dave I was refering to agraffes and not the entire scope of piano building. And it seems to me that with very few exceptions most of the newer instruments I've seen in the past say.... 15 years anyways have had less then optimal quality control in this area. Addressing the entire scope of design, all the problems surrounding that and manufacturing realities, marketing realities, and the realities about both pianists conceptions/misconceptions and our own as piano technicians seemed to be a bit off the subject matter of agraffe alignment, tho to be sure a potentially very interesting discussion in its own right. But back to the topic of this thread... Strikes me that there has been a general industry wide decline in agraffe quality in the last 15-20 years. Cheers RicB
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