Hi Keith.
I by and large agree. I dont buy into some of the draconian redesigns
I've heard tale of. At least not if that means getting into big changes
in the actions geometry. Most often that is actually quite good enough
to get on with. Making what we have in front of us work correctly is
the primary task.
That said... evening out Strike Weights to a 10th of a gram is to my
mind clearly a very good idea... especially if one does correspondingly
nice balancing on the other end. It essentially is a very quick and
efficient way of doing the weigh-off to begin with... and we all know
thats got to be done. And in the same process one creates an evenness
of touch that pianists simply do pick up on.
I do have a scale that reads 100th of a gram... tho I round off to 10th
of a grams for Hammer Strike Weights. I'm just that much more certain
of my figures thats all. A tenth of a gram SW works out to roughly a
half a gram Finger work. Like the absolute pitch thingy... pianists have
shown they are capable of amazing degrees of sensitivity in touch as
well. A 10th of a gram precision seems a good place to settle on to me.
I'd also like to point out that any move in capstan or knuckle is in
principle ok.... as long as you know exactly what you are doing and
why. I would submit that such moves do indeed constitute at least some
measure of action redesign tho. Like I said in my last... Jon Page has
some very good thoughts on that.
Cheers
Ric B
Sometimes it cracks me up. Correct me if I'm wrong but are you guys
using
scales that have an accuracy of a tenth of a gram? I suggested to a
friend
we get the one that has an accuracy of a hundreth of a gram. Your
hammers
range from 10 grams down to 5 grams. (give or take) So with 5 grams
divided
into 88 increments that yeilds a weight change of slightly more than
half a
tenth per hammer. It is senseless to use a strike weight curve
unless I can
post hammer weights after the taper like, #1, 9.64 #2, 9.60 #3,
9.55 #4,
9.45 #5, 9.49 #6, 9.35
Now that could read 9.6, 9.6, 9.6, 9.4, 9.5, 9.4 or 9.6, 9.6, 9.5,
9.5, 9.5,
9.3. However with the scale we got it makes it possible to really
dial in
the weight of the parts. In the run above I can see that i can
switch 4 and
5 and being the bass it won't show. A tenth of a gram scale doesn't
cut it
in my opinion for the proclaimed smoothness of curve. Essentially it
all has
to come out in the wash when the action is reweighed and leaded.
Really we don't want to redesign the action, we want to make it work
right.
We are taking the measurement of an existing action and it doesn't
matter
what anybody else gets as the action ratio. 40 people can measure it and
have 40 different answers for their computer/math models but nothing has
changed in the action in question. It still has the same ratio it
had before
the measurements as afterwards. We have several options. The
consensus is
that 4 to 5 leads in a key is two much. I took out 4 pounds of lead.
We can
lighten the hammer, we can move the knuckle, we can move the capstan and
even the heel. Sometimes we can get different whippen configs. Each
one has
it's own criteria that has to be considered before using. Key dip
and blow
distance really didn't change much with this capstan move but moving the
knuckle, it sure does.
Keith
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