Hi
I think really that your post goes to show that just about any reasonbly
made hammer can work quite well in just about any piano. I'm coming
more and more to the conclusion that very much of the to do about
differerent hammer types is quite overdriven. To be sure, a hammer can
be made so as to be impossible, or nearly so, to work up any real
elasticity... and you do have the real qualitative difference between
hammers meant to be needled and those meant for addition of lacquer.
But that said if you have a decently made set in front of you, you can
get them to work. Some may require a bit more work then others... some not.
With regard to hammers meant to be needled.... I'd also like to point
out that it increasingly seems to me that there is no such thing as the
hammer that just sounds good from the get go... and we can leave them as
is. Recent experiences showed me quite clearly that even moderately
soft hammers benefit greatly (with regards to increased elasticity and
dynamic range) if needled to release lower and mid shoulder tensions
even if this requires a good soaking of very thin solids lacquer
afterwards. Indeed, this has become really a third road for me, and a
surprising one at that.
Cheers
RicB
Hi All,
I was wandering if any of you have tried the Abel "Select" from
Pianotek vs. other hammers. I have put them in a Mason & Hamlin CC, two
9'2" Bechstein ENs, and several Steinways. I have found them to give a
great sound with little voicing. I have been told that from one of the
professors that played a new Steinway B at another university that
while the new B had a great sound, it could not match the sound of the
Steinway B that I put the Abel "Select" hammers on. I was also told by
all of the staff that neither of the Bechsteins sounded nearly as good
as they do now. I was just told by a guest artist that she loved the
Mason & Hamlin because of the beautiful coloring of the tone of the
piano. Just curious to see if anyone else out there has tried these
hammers and how they liked them.
Bill Balmer, RPT
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