On Aug 18, 2008, at 11:59 PM, John Minor wrote: > I was just curious what "antique" appraisers actually say about > these older pianos. Has anyone heard first hand what kind of prices > they put on these instruments? I guess the bottom line is that probably there really isn't any "antique value" for pianos with very few exceptions (one off art cases, provenance like being Liszt's personal piano, and some very rare quite old). If there was an antique value, we'd surely know about it amongst us. There would be appraisers who specialized in old pianos (not shysters like Chris described, legitimate trained ones). Why is this? Must be supply and demand. There are just so darned many old pianos out there. There must be millions in the 80 plus age bracket in the US alone. Probably well over a million of pre-1900 vintage. If someone wants an old piano, there are plenty available for cheap. I used to follow a column in Early Music, where they reported on old instruments sold through Sotheby's and Christie's, etc. Prices for pianos tended to be pretty moderate, even for things that seemed pretty special. (I was particularly interested in Broadwood squares of 1800-1810 vintage, as one had been donated to UNM. Prices of similar instruments were well under $500 - far different from what the donor assumed). I certainly believe there is considerable intrinsic value in an 1860s Steinway grand, but unless there are people out there collecting them or whatever, that doesn't translate to monetary value. Maybe over time, with internet communication, there will be a market for at least some of the more rare beasts. Part of the problem is communication, as it is difficult to match a person looking with a person selling. (People sometimes ask me to appraise harpsichords in Albuquerque, wanting to sell one. I tell them, quite honestly, "I have never seen one sell here, so I can't really give you reliable information. You need to look at a national market.") Regards, Fred Sturm University of New Mexico fssturm at unm.edu
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